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Jimmy Jib Triangle

Jimmy Jib Triangle

Price: 5.000.000 $
Rental Price: 5.000.000 $ / day

Modular Design: Structure consisting of lightweight aluminum triangular sections, allowing the crane’s length to be changed from 6 feet up to 40 feet (depending on configuration).

Portability: The system can be neatly packed into portable cases, making it easy to transport and quick to set up.

Remote Pan/Tilt Head: Equipped with a 2-axis (pan/tilt) remote head controlled by servo motors, allowing precise control of the camera and lens from the ground.

Electronic Lens Compatibility: Includes integrated controllers for Zoom and Focus for most motorized Broadcast and Cinema lenses.

Internal Cable System: Cable design runs inside the crane, ensuring safety and aesthetics, particularly important for live broadcasts.

Large Monitor Controller: Comes with a monitoring screen and a joystick control handle, allowing the operator to view and control camera/lens movements remotely.

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Description

1. Length Flexibility:

  • The strength of the Jimmy Jib Triangle is its modularity. By adding or removing triangular sections, the operator can adjust the crane’s length to achieve the desired height and camera angle, from high shots to sweeping shots.

2. Precise Remote Head Control:

  • The pan/tilt head uses powerful yet extremely quiet servo motors, allowing continuous 360-degree rotation on both axes.
  • This opens up unlimited creative possibilities for the director of photography.
  • Pan and tilt speeds are fully variable, allowing for movements ranging from very slow and smooth to fast and dynamic.

3. Optimized for Broadcast and Cinema:

  • The Jimmy Jib is compatible with a wide range of cameras, from small Broadcast cameras (ENG) to large Digital Cinema cameras (ARRI, RED, Blackmagic).
  • Quick Balance System: The easily adjustable counterweight design helps balance the crane quickly and safely.

4. Applications:

  • This is indispensable equipment for large sporting events (e.g., football fields), concerts, film sets, and news studios requiring dynamic camera angles.

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